Fender Acoustasonic SFX PR370 (pre-owned) SOLD

Tan Tolex type exterior with tweed grill cloth
• Independent channels for acoustic instruments and vocals with individual tone
and feedback controls .
• 80 watts per channel @ 8Ù(160 Watts R.M.S. Total).
• 10- and 8-inch Special Design speakers, and a piezo horn for clean, powerful
response.
• Exclusive “String Dynamics” control for suppressing high-frequency acoustical
instrument harshness.
• Noise reducing phase reverse switches.
• Balanced 1/4 inch TRS (Tip/Ring/Sleeve) and 3-Pin XLR input jacks.
• Insert jacks for connection to external equipment.
Fender’s Stereo Field
eXpansion circuitry process-
es the signal through one of
32 stereo digital effects.
The stereo signal then
enters the SFX matrix circuit
which generates up to 300°
of stereo imaging!
Traditional Amp
Acoustasonic SFX
1. INSTRUMENT - Plug your guitar in here.
2. GAIN - Adjusts the loudness of the instrument channel.
3. TREBLE - Adjusts the high frequency range of the instrument channel.
4. MID - Adjusts the middle frequency range of the instrument channel.
5. BASS - Adjusts the low frequency range of the instrument channel.
6. STRING DYNAMICS - Controls a dynamic tone shaping filter on the
instrument channel. Rotating the knob clockwise reduces high-fre-
quency “harshness” when playing at high volumes and maintains
“crispness” when playing at lower levels.
7. FEEDBACK NOTCH - SLOWLYrotate this knob to locate and sup-
press feedback at a specific frequency on the instrument channel.
8. DSPSEND - Adjusts instrument channel send level to the DSPeffects circuit.
9. INSERT - Input/output jack* (TRS) for instrument channel connection to
effects devices and other line-level equipment.
10. MIC - Plug your microphone in here. This three pin XLR balanced
female input connector is intended for input signals from low
impedance microphones.
11. LINE/INST - This 1/4 inch TRS input jack is suited for line-level
equipment such as high impedance microphones, keyboards and
drum machines. It accepts both balanced and unbalanced inputs.
12. GAIN - Adjusts the loudness of the mic/line channel.
13. PHASE - Reverses the phase of the mic/line channel useful for elim-
inating feedback in instruments using dual pickup configurations.
14. TREBLE - Adjusts the high frequency range of the mic/line channel.
15. MID - Adjusts the middle frequency range of the mic/line channel.
16. BASS - Adjusts the low frequency range of the mic/line channel.
17. FEEDBACK NOTCH - SLOWLYrotate this knob to locate and sup-
press feedback at a specific frequency on the mic/line channel.
18. DSPSEND - Adjusts mic/line channel send level to the DSPeffects circuit.
19. INSERT - Input/output jack*(TRS) for mic/line channel connection
to effects devices and other line-level equipment.
20. BYPASS - Switch IN disables the SFX effect.
21. SFX - Adjusts the SFX effect level and intensity.
22. SFX ON - Illuminates when the SFX effect is active.
23. DSPRETURN - Adjusts DSPeffect level (wet signal) to be mixed
with the “dry” signal. Clockwise rotation increases the DSPwet sig-
nal level.
24. MASTER VOLUME - Adjusts overall loudness of the Acoustasonic SFX.
25. OUTPUT PHASE - Reverses the phase of the amplifier, useful for
reducing “small environment” feedback.
26. POWER - Illuminates when the Acoustasonic SFX is ON and receiving power.
27. DSPEFFECTS- Select from 32 DSPeffects. The DSPsend knob
must be turned above “1” for the effect to be heard on either chan-
nel. The DSPeffects are listed on the next page.
28. CLIP- Flashes when clipping (distortion) is present in the DSPcir-
cuit. If unwanted distortion is heard on either channel when this LED
flashes, reduce the DSPsend level on that channel.
29. SIGNAL- Illuminates when an adequate input signal level exists for
proper operation of the the DSPeffects circuitry. Increase the DSP
send level on each channel in turn so that the signal LED is illumi-
nated when playing at a normal volume for that channel.
* “Insert” jacks utilize the “Y–cord” (stereo-TRS to dual mono-TS) configura-
tion with Tip=send, Ring=return and Sleeve=ground.
Chorus
1 - Slow Sweep
2 - Slow to Medium Sweep
3 - Medium Sweep
4 - Medium to Fast Sweep
5 - Fast Sweep
Flange
1 - Slow Sweep
2 - Slow to Medium Sweep
3 - Medium to Fast Sweep
4 - Fast Sweep
Slap
1 - Quick, Single Echo
Delay
1 - Short
2 - Medium
3 - Long
Reverb/Chorus
1 - Medium Room / Slow Sweep
2 - Medium Room / Medium Sweep
3 - Medium Room / Fast Sweep
4 - Large Hall / Slow Sweep
5 - Large Hall / Medium Sweep
6 - Large Hall / Fast Sweep
Reverb/Delay
1 - Medium Room / Short Delay
2 - Medium Room / Medium Delay
3 - Medium Room / Long Delay
4 - Medium Hall / Short Delay
5 - Medium Hall / Medium Delay
6 - Medium Hall / Long Delay
Room
1 - Small
2 - Large
Hall
1 - Small
2 - Medium
3 - Large
Plate
1 - Small
2 - Large
TYPE: PR 370
PART NUMBER: 022-1301-000 (120V, 60Hz) USA 022-1331-000 (240V, 50Hz) Aust
022-1341-000 (230V, 50Hz) UK 022-1361-000 (230V, 50Hz) Eur
022-1371-000 (100V, 50/60Hz) Jpn
POWER REQUIREMENTS: 450W
POWER AMPLIFIER SECTION
POWER OUTPUT: 80W R.M.S. per channel, (160W R.M.S. Total)
into 8Ù@ <.07% T.H.D., both channels driven
SENSITIVITY: 1.51V (both channels)
PREAMP SECTION
INPUT IMPEDANCE: 10MÙ(Inst), 3.6kÙ(Mic), 36.4kÙ(Line/Inst)
TONE CONTROLS: Treble: +/-15dB @ 15kHz (Inst), +/-15dB @ 15kHz (Mic, Line/Inst)
Mid: +/-12dB @ 1kHz (Inst), +/-12dB @ 1kHz (Mic, Line/Inst)
Bass: +/-12dB @ 100Hz (Inst), +/-12dB @ 100Hz (Mic, Line/Inst)
FEEDBACK NOTCH: -10dB from 80Hz to 700Hz (Inst)
-10dB from 720Hz to 7.2kHz (Mic, Line/Inst)
STRING DYNAMICS: 0 to -15dB @ 6.3kHz (Inst)
PHANTOM VOLTAGE: +15V DC (Mic)
SPEAKER COMPLIMENT: One 8” Fender Special Design speaker (P/N 051016)
One 10” Fender Special Design speaker (P/N 029753)
Single Piezo Horn (P/N 049260)
DIMENSIONS: Height: 29.5 in (73 cm)
Width: 17.5 in (44 cm)
Depth: 13 in (33 cm)
WEIGHT: 62 lb (28.2 kg)

Price: $499.00